“Depictions of Native Homelands: Genre, Miscegenation, and Women’s Roles in Therese Broderick’s The Brand and Mourning Dove’s Cogewea,” in Amerikastudien, Fall 2022.
“Through a Xenophobic Lens: Degeneration Theory in W. Christy Cabanne’s Martyrs of the Alamo,” in the Hungarian Journal of English and American Studies, Summer 2021.
‘They Look Like They’re Trying to Pull Up Nails with Their Heels’: Ricardo Güiraldes’s Response to Cultural Appropriation in Don Segundo Sombra,” in the Polish Journal of American Studies, Summer 2021.
“Riding High in the Saddle: African American Subversion in the 1930s Western,” in the European Journal of American Studies, Summer 2021.
Argentine Cinema and Immigrant Filmmakers: the Use of Subversion in Mario Soffici’s Viento norte,” in Journal of American Studies of Turkey, Summer 2021.
“Speaking Horrors: The Fantastic as an Opening into the Gendered and Racial Ideologies of Henry James’s the Turn of the Screw and Toni Morrison’s Song of Solomon,” in Studies in the Fantastic, Fall 2021.
“Forging a Nationalist Discourse in Owen Wister’s The Virginian and Leopoldo Lugones’s La Guerra gaucha,” in Confluencia, Spring 2020.
“An Act of Redemption: Conflicting Images of Native Americans in Broken Arrow and The Searchers” in Journal of American Studies of Turkey 48, May 2018, 85-110.
“The Cost of Dreams of Utopia: Neocolonialism in Juan Rulfo’s Pedro Páramo and Cormac McCarthy’s All the Pretty Horses” in Confluencia, Spring 2014.